Moeran's Phyllida and Corydon

The BBC Singers gave the first performance* of this suite of nine unaccompanied pieces on October 30th 1939. I admired the choir's manipulation of the material, as it was directed by Leslie Woodgate. The male singers still sound a bit etiolated through over-refinement; such slight stroking sometimes fails to make us feel the chordal nerve of swiftly-changing harmonic passages. The choir's verve was happy, its pointing (as in 'fa-la's) often pretty, and its spirit, at the best, truly evocative.

The first impression about the music is that it stands in a clear succession, finely following an ancient convention with a revived sensitiveness; the twentieth century mating with the sixteenth (Breton, Munday, Sidney, and the like poets). This composer subtly individualises certain procedures of modality and harmonic strangeness which few besides Warlock have satisfactorily bent to their use. The modal convention has sometimes weakened Moeran's art; here its use is almost entirely congenial; his fresh air can disperse the mists that enrap some of his brethren when they `go modal'. That is the considerable achievement of a rich imagination. In harmonic suggestiveness he is at his best, finding appropriate inflections for the subtlety of a vocal caress. Now and again he over-subtilizes, I think, as in 'weep you no more' (No. 7). To match in music the curious blend of simplicity in subject and exquisite fragility of poetic expression is an almost impossible task for any musician. The moment he forsakes the shore of period-style, as we know it in ayre or madrigal, he braves an ocean of harmonic currents which may carry him to ports he seeks not - or even to over-emotional shipwreck. Moeran navigates with high wisdom; the seamanship is as admirable as the ship is beautiful.

W.R.A. (1)

Musical Times November 1939.

* Note: The reviewer is probably referring to the first broadcast performance - see below
1 - W.R. Andersen.

"The first performance of Moeran's Choral Suite 'Phyllida and Corydon' will be gien by Kennedy Schott's A Capella Choir at Aeolian Hall on October 24th 1939" - (footnote in M/T July 1939)

 

©2006 SARL Pristine Audio

 

 

"Moeran navigates with high wisdom; the seamanship is as admirable as the ship is beautiful"