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Audio Excerpts
This
page offers you the chance to hear Moeran talking about his
life and music, listen to works in their entirety, and use
Real Audio to hear short tasters from across the range or
Moeran's musical output. If you need help accessing the files
full details are given at the bottom of this page.
Looking
for CDs instead? Try these links:
1 - Eight
essential Moeran CDs
2 - Moeran
CD Buyer's Guide

Moeran in the mid 1940's
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Here are some archive recordings of Moeran speaking
on the radio in the 1940's:
1 - On
his early childhood (48")
2 - On
joining the Royal College of Music (22")
3 - On
Ireland (17")
4 - On
plans for his second symphony (20")
5 - Introducing
Harry Cox singing (2'21")
Visit this page to read about a CD featuring
material taken from a programme on East Anglian folk-singing
made by Moeran and the BBC in 1947, including audio excerpts:
Good Order!
The following pieces are available to download
as high-quality MP3 files from the site. The first two orchestral
pieces are restored archive recordings, and the Sonata is
a world first professional studio recording exclusive for
this website. Finally, the Symphony is here as a live recording
made by the Shrewsbury Symphony Orchestra in concert in November,
2001. Each link takes you to a full page for each recording
with downloading and playing details:
1 - Sinfonietta
- vintage - Beecham
2 - Violin Concerto - vintage -
Sammons & Boult
3 - Sonata for
Two Violins - world premiere
4 - Symphony in G Minor
- live performance
The selection linked to on the right of this
page is designed to give a flavour of the different aspects
of Moeran's output. I've chosen the opening of the Symphony
in G Minor (1937) in its 1973 EMI recording by The
English Sinfonietta Orchestra under Neville Dilkes. From Chandos
is the opening of the final movements of the Sinfonietta
(1944), recorded by the Bournemouth Sinfonia under Norman
Del Mar.
Also in this area is the ending of Lonely
Waters (1924?). This is a piece with two alternative
endings, one vocal and one instrumental. Sadly the instrumental
version is the one most often recorded (I hesitate to say
'played' as Moeran's music gets so little concert hall attention),
so I've put the vocal version here, sung by Ann Murray with
the English Chamber Orchestra under Jeffrey Tate on the EMI
compilation disc "The Banks Of Green Willow".
From Chandos comes an extract from the beautiful
middle movement of the Cello Concerto
(1945), also with Norman Del Mar conducting the Bournemouth
Sinfonietta, with Raphael Wallfisch as soloist, currently
the only available recording of this masterpiece of Moeran's
last years. I am told that the previously available recording
with Moeran's wife Peers Coetmore is interesting but not as
well played - it was recorded quite late in her career.
Chandos have an excellent disc which includes
both Rhapsody extracts here, with Vernon Handley conducting
the Ulster Orchestra, and Margaret Fingerhut soloing on the
Rhapsody for Piano and Orchestra,
the nearest Moeran came to writing a full Piano Concerto.
From the chamber works I've chosen the opening
to the Second String Quartet
(date unknown) as played by the Maggini String Quartet on
Naxos - partly because these opening bars are the very first
Moeran I ever heard, partly because of the mystery surrounding
the Quartet - was it an early work (in which case why wasn't
it either heard or destroyed?) or a later work? The musical
fingerprints are confusing - Geoffrey Self, in his excellent
book "The
Music of E J Moeran", suggests a work possibly spanning
both his early and later output, with the opening movement
resurrected from the 1920's but the second being more reminiscent
of a later, more mature style.
Compare this to the Piano
Trio (1920), Moeran's first large scale work and one
which illustrates not only the influences of composers such
as Brahms, Schumann, Fauré and Ravel, but also Moeran's
own exuberant lyricism. In the aforementioned book, Geoffrey
Self writes "the work has been ignominiously forgotten
- even the publisher retains no copy". I'm glad to say,
if for listening pleasure alone, that a full copy must have
been found, for the recording illustrated here by the Joachim
Piano Trio on ASV is well worth having. It may not rank as
being of any great importance, but it's one of my favourite
works.
Another early work is the Violin
Sonata in E Minor of 1923, described by Geoffrey Self
thus: "here is a thrusting passion, expressed in music
much aware of contemporary trends". The recording here
is from the Chandos recording by Donald Scotts and John Talbot.
Scotts is also heard on the same disc with the Melbourne String
Quartet playing the First String Quartet
in A minor (1921).

Moeran in 1922
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Also in this category but composed much later
is the Cello Sonata (1947),
written for Moeran's wife, Peers Coetmore, and played here
by Raphael Wallfisch and John York from the Marco Polo CD
of English Cello Sonatas. This is a much more abrasive and
challenging work than much of Moeran's output, and reflects
his desire to create something truly new for his new wife,
rather than falling back on his traditional styles.
From the piano music I've put a small selection
played by Eric Parkin on the
excellent Complete Piano Works CD. This disc can be hard to
find, especially outside the UK, though it is sold online
by CD
Paradise. Alternatively you can contact J Martin Stafford,
who released the disc, directly by mail at 298 Blossomfield
Road, Solihull, B91 1TH, England, or by e-mail: ISMERON99@cs.com
- he comments: "I will send the Moeran disc to any address
in the world (air mail where appropriate) for £12-50 (cheque
to me) or a $20-00 bill (not cheque, as my bank would charge
me about $10 to convert it to sterling). I am only an e-mail
message, a phone call, or a letter away, so no one who wants
my products should have too much difficulty in obtaining them."
To listen to the music files click on the links
on the right of this page. You'll need the Real Audio Player
installed - if you don't have this go to www.real.com
and download it - the basic version is free.
I've converted the original stereo recordings
into mono, as this allows for much higher sound quality for
playback over an Internet connection.
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